‘Manchester by the Sea’ Director’s Latest Broadway Play Follows a Jewish Family Dealing With Tragedyby Curt Schleier, JTA November 28, 2018
“The Waverly Gallery,” which runs through Jan. 27 at the John Golden Theatre in New York, has been quickly and widely hailed as a triumph. Elaine May, who stars as aging Jewish family matriarch Gladys Green, has made many headlines, for good reason — her tear-jerking performance, her first on a Broadway stage in over 50 years, could earn her a Tony Award.
Kenneth Lonergan, 56, is best known for his 2016 film “Manchester by the Sea,” a slow-burning drama that earned him an Academy Award for best original screenplay and a nomination for best director. But he had a long and successful career both in film and on the stage well before that. He has been involved in everything from sensitive indie films (he wrote and directed “You Can Count on Me,” which earned an Oscar nomination for best screenplay) to period pieces (he co-wrote Martin Scorsese’s “Gangs of New York”) to comedies (he co-wrote “Analyze This,” which starred Robert De Niro and Billy Crystal).
Despite his varied and acclaimed output, nothing can really prepare the viewer for the power of his latest Broadway production. It is in fact a revival of a 2000 play that was nominated for a Pulitzer Prize — but likely flew under the radar for many since it was off-Broadway.
In the play, Gladys lives alone in New York City’s Greenwich Village neighborhood, where she runs a small art gallery and is starting to show signs of Alzheimer’s disease. Her grandson, Daniel (played by Lucas Hedges, who broke out in “Manchester by the Sea”) lives next door, and Daniel’s mother and stepfather host her for a weekly dinner. As the Gladys they know slowly slips away, the Jewish family deals with a range of feelings, from frustration to compassion.
Most of the play is autobiographical, lending the story extra emotional punch. In real life, Lonergan is Daniel. Ellen Fine (Joan Allen) is in fact Kenneth’s mom and her husband, Howard (David Cromer), is Lonergan’s stepfather.
Lonergan, a Bronx native who was born to a Jewish mom and Irish dad, both physicians, had a “secular Jewish” upbringing. His parents divorced, and his mother remarried and moved to the Upper West Side.
“More religious people might call us ersatz Jews,” he said. “I was raised in an environment where most people I knew were Jewish. Some were bar mitzvahed, some were not. Some of my [step] siblings were bar mizvahed. I don’t think it’s unusual.”
May, now 86, also is Jewish: She was born Elaine Berlin and performed with her father’s traveling Yiddish theater company as a child. She rose to fame in the late 1950s with her then-comedy partner, the late Mike Nichols — who was Jewish as well, and would go on to direct films such as “The Graduate” and “Who’s Afraid of Virginia Woolf?” May was last seen on the Broadway stage in 1961 as part of “An Evening with Mike Nichols and Elaine May.”
Lonergan was close to his grandmother, “pretty much as in the play,” he said, noting that they had dinner weekly and lived in the same building. That made the play difficult to write. During the writing process, his parents weren’t aware of what Lonergan was putting together.
“When I did show it, it was with some trepidation,” he said. “They said it was very difficult to go through it again, but they always came to the readings and saw it performed.”
“[My grandmother] was very important to me. I was watching her fall apart. I remember her [healthier] from when I was young,” he said. “I wrote it not long after she died. It was a tremendously painful experience for her and the rest of us as well. It wasn’t easy, but I thought it was something I needed to do.”